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Homecoming of Bluegrass jam-band Grasshoppah on Friday: West Michigan favorite reunites for Eastown show with original line up. Guitarist...
Sunday, May 23, 2010
Sometimes it's all you can do just to get to the gig. Van trouble and an hour earlier time change are just two of the pitfalls to hitting the road. It takes patience, work, and-these days-plenty of gas money to get anywhere. So by the time Smokin' Joe and company hit the stage at Callahan's, they were ready to play. The workman-like approach to the art of performing seemed to serve the band well. Featuring guest guitarist Jimmy Thackery, the Smokin' Joe Kubek Band with B'Nois King did what they could to liven-up an otherwise sleepy Sunday night in suburban Detroit-and it paid off for everybody. It was no secret Thackery was at the club the night before, hence an invite to stick around and play. Thackery took in all the latitude that Kubek afforded. Thackery is a tasteful guitarist by far. His presence was much anticipated. In a pleasant surprise was how well these guitar players--including King--fit together. Many times on slide guitar rather than straight lead, Kubek unfolded a steady perusal through his 20-year catalog. Featured were the songs "Texas Cadillac," "Burn One Down," and "I Saw It Coming." The latter featured the sweet vocals of B'Nois King. Enough cannot be said about the front man talents King commands, or about the way he approaches his job. King never loses focus that the audience is always a part of the show, engaging them even while a guitar tuning takes a little too long. It was hard to believe that this was only bassist Patrick Recob's (Kansas City MO) fourth gig with these guys. But it hardly showed-even for a live recording. King pitched a new CD on Alligator records due this spring. Sure there was the van break-down outside Rock Island IL a day-and-a-half earlier. Then there was the hour time change back east that inadvertently slipped by everyone. But Kubek and his band showed poise all the while, later rewarding themselves with a pint of Ben & Jerry's.
Wednesday, May 12, 2010
Rockabilly singer Wanda Jackson loves what she does. She counts her blessings for having made it this far in her decades-long career, and she gets a kick out of Betty White. She is a 2009 inductee to the Rock and Roll Hall of Fame (Early Influences category) and counts Elvis Presley as one of her former admirers.
Ask why music lovers who come out to her live shows still like to hear songs written 50 years ago, you’ll get this response.
“This music says
"I think songs like this will live on, really, forever because it's just classic and good stuff. Clean and innocent--for the most part. This music is so opposite from the stuff they're doing today. Not everybody likes what they're doing today. That's where we fill in a gap."
“I was the first to break barriers, whatever you want to call it. I had been wearing traditional cowboy attire. But I never did like because it was heavy and cumbersome. I didn’t look good in it. I’m only five foot one. It was just too heavy.”
“I told my mother who was always my seamstress that I wanted to come up with something that was showy but sexier, more glamorous. So we got our heads together, found this silk print, and decided that was the way we were going to go. I was the first one to get out of boots and hats,” says
Her hour-long set with her band the Lustre Kings will showcase her influential singing style.
“I feel so lucky. I’ve always loved a variety of music. Even when I listen to it for pleasure I play a variety of styles. I feel fortunate that I could record it first of all, that my producer let me stretch and get outside the borders a little bit. This helped me in my career later on because now I have audiences in gospel, country, and rockabilly—I prefer to call it ‘50s rock.”
“Country and ‘50s rock are like kissing cousins. Anyone who likes one usually likes the other. It makes for a good varied show; I always get comments about the variety of material that I do. I even throw in a yodel to go with the gospel, country ballads, and Elvis songs,” says
Wanda Jackson with The Lustre Kings, wsg The Rhythm Dogs (local) and DJ Del Villarreal (Ann Arbor), appear at the Orbit Room in Grand Rapids on May 15 at 7:30pm.
More info: http://www.orbitroom.com/
Saturday, May 1, 2010
If there is one original music which has kept dance floors busy across this country it has to be the blues. We're speaking here of piano-based uptempo roots music sounds of New Orleans, sometimes known as early rock'n'roll. Musician Bruce Katz seems to understand this reality and, as such, tailored his live set at the Livery to include material from all the leading American songwriter sources. Whether sliding into a jazzy Professor Longhair tune or a Hank Williams honky-tonk, Katz is fearless when reaching into the well for treasures from artists whose ageless gems grow more valuable with time. Katz also has the foresight to include other home-grown keyboard influences which helped put this country on the musical map. All of this make for lively in-person presentation. The second song of the 2nd set was a nod to Katz's days with Ronnie Earl and the Broadcasters. "Blues in D Natural" proved a perfect showcase for guitarist Chris Vitarello. After trading hollow-body jazz guitar for solid wood Telecaster, Vitarello absolutely delivered. His first guitar solo was searing. Meanwhile Katz was providing some serious organ, often using the double-fisted triple keyboard method. Katz even stood up to play the piano in a Jerry Lee-inspired moment. Vitarello also proved a soulful singer as heard on the Allman Brothers version of Muddy Waters' "Trouble No More." From there it was on to what Katz described as a "Huey 'Piano' Smith version of Hank Williams" and a Fats Domino-inspired version of "Jambalaya (On the Bayou)." Drummer Ralph Rosen was spot-on, providing an enviable pocket in which to lay back. Katz featured songs from his most recent release "Live from the Firefly" and a tune from his Mississippi Moan CD originally sung by Mighty Sam McClain called "Hanging on the Cross." Katz finished up the night with tunes from Billy Preston and Blue Note's Jimmy McGriff ("Talking About My Baby") completing a unique American odyssey across the keys. (Photo by Alan Bartlett)
Speaking in front of a mostly middle-age mainstream audience not quite filling Fountain Street Church, Dees gave a compelling and comprehensive update on hate groups operating in the United States today. Dees described first-hand accounts of these groups--with a glimpse into their future--
“The issues that loom for this country--a change in political power and the change in how we cut the economic pie--will present an enormous problem for this nation.”
Dees says the real issue is this:
“In 1950 non-whites made up 20 percent of the population; this year it will be around 39 percent. By 2042 census takers and demographers tell us that people like myself and many of you here tonight will be in a minority,”
He says memberships in most hate groups have risen significantly in the past two years; this includes a new group which targets Latino immigrants. But he also cautions about hateful venom spewed by both mainstream media commentators and members of the Tea Party movement.
Although security was expected to be tight for
After some welcoming remarks by Bob Woodrick, benefactor for the evening's discussion,
"I accept those kind words of praise for all the people who have worked at the Southern Poverty Law Center,"
As he would throughout his 50 minute talk
“Dr. King faced rivals and many in his own race who had no vision, politicians with no backbone, and finally in Memphis a terrorist with no conscience," said Dees of the many challenges Dr. King experienced during his short lifetime.
"However in the forty years since Dr. King we as a country have taken three steps forward and two steps back in regards to the civil rights movement,"
"There has been an enormous backlash since because of the election of Barack Obama. That’s really the best way I know how to put it."
Speaking with a soft-spoken southern accent,
“Maybe this backlash is because we have elected an African-American president. Maybe it’s because of the economy that we’re going through now which is the worst in my lifetime and the lifetime of most of you here. Or it could be a backlash because of the enormous Latino migration in this nation. But there’s been an extreme reaction since the election of President Obama in our country."
By this time the already attentive crowd grew more silent with each word.
"There are approximately 950 certified hate groups operating today--Ku Klux Klan, Skinheads and others,”
“That’s a big increase in the number before Obama starting running for office. But more alarming is the increase in what we at the Southern Poverty Law Center call militia groups in our country; I won’t call them hate groups--they’re not necessarily hate groups. They are those groups who feel it’s necessary to arm themselves in order to protect themselves against our government."
As expected he made a direct reference to the Hutaree militia in southeastern
“We know here in
“This is a group I guess you’d have to qualify as an absolute hate group because they hate Jews. They felt the Jews were controlling our country and that we were going to have a One World Government, and they wanted to start a war to end that. They were going to kill a police officer and then blow up those who came to the funeral. Now whether they had the ability to carry this out who knows.”
“But there’s been a 244 percent increase in militia groups in the last 12 months alone. Something’s happened in this country in the last year or two to cause an enormous increase in these groups,”
“And then we have about a 50 percent increase in what we call ‘nativeist’ groups. These are anti-Latino groups and in many cases create acts of violence against Latinos, whether they’re documented or not in this country. All told there are about 1850 militia, hate, and ‘nativeist’ groups—or just plan Klan groups. That is a 44 percent increase in just one year alone. You add to that the whole Tea Party Movement that we have going on, and I’m sure exactly what it is and what it will amount to or what percentage of our people this represents. But there are some really ill-tempered and hateful things coming out of the mouths of these people. And on top of that we have commentators like Glenn Beck and other who say things like 'Obama hates white people.' I don’t know where this comes from but Beck has a big audience—a very big audience. Add to that the dozens of other commentators who 24/7 spout intolerance in the worst sort of way.”
The current climate in
“Then you end up with-- I’m not sure it’s totally the reason for the increase--a Congress in absolute gridlock. We tried to pass a healthcare bill that just got through by the skin of its teeth and it was opposed 100 percent by the Republican Party. That’s not the Republican Party I knew growing up when you had people in it like Richard Nixon, who proposed a much more comprehensive health care bill than was passed by this last Congress,”
While listening to these stories it may seem easy to lose hope in fellow man. But Morris Dees left time to once again quote Dr. King, referring to his famous speech at the Washington Mall and the role of faith in a better
“I don’t mean to put words in this great American’s mouth. But if Dr. King were here today he would have to include the barrios, the reservations, the poor, and perhaps even the uninsured,” as groups still in need of equality.
“I think the health care bill is a precursor to the problems we see today because the bill is about how we’re going to allocate cash resources in the future. You might say in many ways this is a class issue.”